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You Were So Good Today, 2022
Watering Schedule, 2022
What’s Under There, 2020
Whating At The Capital, 2023
Uh, So Good, 2020
Its Our Beach Couch, 2020
Is There Anything That Bites?, 2021
It’s Just A Few More Blocks, 2022
Did We Get Everything, 2020
Invited Invaded
Basic Descriptions of Reality
Dear Patio I Love You
Where We Always Meet, 2021
Procrasti Sculpt, 2023
The Volunteers, 2023
Almost There, 2023
To Thank a Room No. 1
To Thank a Room No. 2
To Thank a Room No. 3
Picking Up Where We Left Off, 2022
I Like the Sound Of You Washing Dishes
I Miss You Man, 2022
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IfTheFridgeCouchHadABaby
So Much It's Underwhelming
At Some Point Today,  Maybe Try Looking Into Another Person's Eyes
CertainModels
FindingaGoodSpot
Co-Working Space, 2019
Working From Home, 2019
Come Into the Office Today, 2019
NappingInCars
BackgroundBingeIIadj
BackgroundBingeVI
BackgroundBingeVIIadj
BackgroundBingeI
AutomaticDogWalkingLeftorRight
AutomaticDogWalkingBriskly
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Aubree_Dale_Image5
Aubree_Dale_Image4
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Full Neck, 2017
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Something to Hold the Cottonwoods Ov
Kidney Flooding, 2016
Daily Supplements, 2017
Artesian No. 1, 2017
Where it Begins, 2016
The Situation with the Deal & ...
A More Competitive Landscape, 2015
A Memorable Meal, 2015
Possible Warning Sign, 2015
At What Age Are You Qualified?, 2015
Let Us Take A Moment To Point Out The Overwhelming Similarities
Dirty Lollypop Farm, 2013
Has Anyone Seen My Sistrus?
Who Infected My Sistrus?
A Delicious Breakfast, 2014
Sleep, 2012
Ghouls' Day Out, 2010
Oral Hygiene, 2010
Cross Section, 2010
Seated Figures, 2009

Aubree Dale

“My work is maximalist and driven by a deep engagement with material processes, form, and complex palettes. It often serves as a complex record of memory, anxiety, and wish, creating unbalanced worlds. Hard and soft materials are transformed into transparent, billowy layers and obsessive mark-making.

 

I use large scale painting as a means of preliminary world building, exploring complex social structures and places. Complex ecosystems reference both expansive places of natural beauty and intimate domestic spaces. From there, smaller works act as journal or codex entries. Stacked with unfinished projects, consumption and daydreams, these are snapshots of a memory, a wish, an inquiry into an imagined place or alternative scenario. 

 

Subtle movement is a recurring element in my sculptural and installation practice, created through passive light, shadow and small ambient air currents. Much of my sculpture and installation is transitional,  informed by my work as a welder and drive to experiment with both new mediums and revisit traditionally domestic crafts.. Found object assemblage sculptures, made from rescued single-use items, home improvement supplies, and homemade bioplastics, create soft and dynamic artifacts and portals.

 

Online and in-person performance pieces are a new element that further entangle and extend storylines, exploring large group dynamics and consumption habits. These performances are incredibly informative and are paving the way for new concepts and work."

Oil Paintings x Metal Fab x Sculptural Installation

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