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You Were So Good Today, 2022
Watering Schedule, 2022
What’s Under There, 2020
Whating At The Capital, 2023
Uh, So Good, 2020
Its Our Beach Couch, 2020
Is There Anything That Bites?, 2021
It’s Just A Few More Blocks, 2022
Did We Get Everything, 2020
Invited Invaded
Basic Descriptions of Reality
Dear Patio I Love You
Where We Always Meet, 2021
Procrasti Sculpt, 2023
The Volunteers, 2023
Almost There, 2023
To Thank a Room No. 1
To Thank a Room No. 2
To Thank a Room No. 3
Picking Up Where We Left Off, 2022
I Like the Sound Of You Washing Dishes
I Miss You Man, 2022
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IfTheFridgeCouchHadABaby
So Much It's Underwhelming
At Some Point Today, Maybe Try Looking Into Another Person's Eyes
CertainModels
FindingaGoodSpot
Co-Working Space, 2019
Working From Home, 2019
Come Into the Office Today, 2019
NappingInCars
BackgroundBingeIIadj
BackgroundBingeVI
BackgroundBingeVIIadj
BackgroundBingeI
AutomaticDogWalkingLeftorRight
AutomaticDogWalkingBriskly
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Aubree_Dale_Image5
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Full Neck, 2017
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Something to Hold the Cottonwoods Ov
Kidney Flooding, 2016
Daily Supplements, 2017
Artesian No. 1, 2017
Where it Begins, 2016
The Situation with the Deal & ...
A More Competitive Landscape, 2015
A Memorable Meal, 2015
Possible Warning Sign, 2015
At What Age Are You Qualified?, 2015
Let Us Take A Moment To Point Out The Overwhelming Similarities
Dirty Lollypop Farm, 2013
Has Anyone Seen My Sistrus?
Who Infected My Sistrus?
A Delicious Breakfast, 2014
Sleep, 2012
Ghouls' Day Out, 2010
Oral Hygiene, 2010
Cross Section, 2010
Seated Figures, 2009

Aubree Dale

“My interests lie in combing the expectations of the individual within our large, modern social networks. I strive to create over engineered maximalist ecosystems. These take shape as poorly rendered, unbalanced worlds by way of painting, sculpture & installation and performance. Materials hard and soft give way to transparent billowy layers, obsessive mark making and object manipulation.

 

Paintings and digital works tend to be complex records of memory, anxiety and wish. Much of my sculpture and installation is transitional and informed by my work as a welder and drive to experiment with new mediums. I often use metal and embroidery as doodling mechanisms. Found object sculptures, largely consisting of rescued single-use items are married with homemade bioplastics to create downy, transparent artifacts and portals. Online and in person performance pieces are a new element to my work that further entangle and extend storylines. I find them to be incredibly informative as they are paving the way to new concepts and work.”

Oil Paintings x Metal Fab x Sculptural Installation

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