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Aubree Dale

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I Like the Sound Of You Washing Dishes
Price$6,300.00
New
Consumption Bumpkin
Price$4,200.00
To Thank a Room No. 1
Price$6,300.00
Best Seller
To Thank a Room No. 3
Price$1,300.00
To Thank a Room No. 2
Price$1,300.00
Finding A Good Spot, Acknowledging That It’s Nice To Be Around
Price$1,300.00
So Much It's Underwhelming
Price$1,300.00
Certain Models and Timelines Lack Specifics, So I Appropriate Some Sense
Price$1,300.00
At Some Point Today, Maybe Try Looking Into Another Person's Eyes
Price$1,300.00
If The Fridge And The Couch Had A Baby Together
Price$1,300.00
Untitled No.01, From A Series of Mindless Paintings
Price$6,300.00
Untitled No.02, From A Series of Mindless Paintings
Price$6,300.00
Untitled No.05, From A Series of Mindless Paintings
Price$1,300.00
Untitled No.04, From A Series of Mindless Paintings
Price$1,300.00
Untitled No.03, From A Series of Mindless Paintings
Price$1,300.00
Pants W/O Elastic
Price$350.00
Napping In Cars
Price$350.00
Background Binge VII
Price$285.00
Background Binge VI
Price$350.00
Background Binge V
Price$350.00
Automatic Dog Walking: Briskly
Price$80.00
Automatic Dog Walking: Left or Right
Price$185.00
Automatic Dog Walking: Puddles
Price$285.00
Background Binge I
Price$350.00

Upcoming Shows

Go-To's : Central Austin Library, Austin, TX

On view June 2, 2023 thru Aug 13,2023

Opening Reception: Friday June 2, 2023, 7p-9p

Artist Talk: Saturday, Aug 12 2023, 1:30p-2:30p

The Mind is a Fertile Field : Contra Common, Bee Cave, TX

On view Sept 18, 2023 thru Oct 16, 2023

Opening Reception: Sept 23, 2023, 6p-9p

Performance Dates to come...

Aubree Dale

Oil Paintings x Metal Fab x Sculptural Installation

My interests live in exploration of absurd and messy human narratives. I often probe the relationships a space may facilitate and comb the expectations of the individual in society. I want to create an opportunity to live among objects and within compositions that take shape in a poorly rendered, unbalanced world by way of painting, sculpture and installation.

Materials hard and soft give way to transparent billowy layers, obsessive mark making and object manipulation. My paintings tend to be complex records of memory, anxiety and wish. Much of my sculptural and installation works are transitional. I source mostly recycled materials and refuse to over-engineered chattels and places held to the trappings of time. A storyline will always drive the nature of my work, however, it is my intention to leave doors open and questions unanswered for the viewer.

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